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At this frequency the tone will be full and resonant and the instrument will respond easily. For instance, on a perfectly tuned C trumpet, to play middle C (open) the lips must vibrate exactly at 256 Hertz. The trumpet is bound to the overtone series, and the lips must buzz/vibrate the air column at the right frequency to match the length of tubing. It took me a while to catch on to how he was making me play better and how I might best convey his concepts to others. His minimalist, philosophical approach confused me at first.
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He didn’t clutter the lessons with a lot of jargon or gimmicks and had surprisingly little to say about embouchure, tongue placement or the mechanics of breath support. Though highly intelligent, he was a man a few words. By the mid-1980s I was winning major symphony positions around the world and for six seasons served as principal with the New Zealand Symphony Orchestra. When ill health compelled Stamp to reduce his teaching load, I took over his large studio at California State University at Fullerton. But after working with Stamp for a few months I began subbing with the LA Philharmonic and getting called for Hollywood recording sessions.
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An aspiring symphony musician, I could play well some of the time but was too inconsistent to establish a true professional career. The program supports all types of proxies - HTTP (S), SOCKS4, SOCKS5